Performed by Robert Hoit in the IV Festival de Musica Contemporanae in April 2011. This piece uses MAX/MSP to perform a series of loops of differing lengths. In the performance there were several minor problems. [1]

Recently I caught up with Kevin Austin to talk about his involvement with Karlheinz Stockhausen’s Kontakte.

Stockhausen demonstrating the 4-channel technique used in Kontakte

He spoke at length about how the 4-channel version of the piece really alters a listener’s perception of the piece, and how Kontakte has presaged many other movements in [...]