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Articles tagged with: interview

Written By: evan on August 27, 2009 2 Comments
Interview with Nolan Stolz of New Music Hartford

This week I interviewed Nolan Stolz about his upcoming concert, which features works composed simultaneously in a 60-minute time span. The concert is being sponsored by New Music Hartford, and is a benefit for the South Park Inn.

Nolan Stolz in the Recording Studio

Listen to the ComputerMusicBlog interview with composer [...]

Written By: evan on August 12, 2009 No Comment
Interview with Elliot Miles McKinley of earWorm

Today I caught up with Elliot Miles McKinley, one of the members of the electroacoustic imrpovisation group earWorm.

In the interview, we talk about the group’s creative process, and how the four composers work as an ensemble. McKinley elaborates on the surprises and enlightening moments that occur when improvising with computers.

Listen [...]

Written By: evan on July 29, 2009 No Comment

In the spring of 1981, during a residency at the Walker Art Center in Minneapolis, Minnesota, choreographer Merce Cunningham and composer John Cage sat down to discuss their work and artistic process. As frequent collaborators, Cage and Cunningham pioneered a new framework of performance. Their novel approach allowed for mediums to exist independently, or rather [...]

Written By: evan on July 9, 2009 No Comment
Interview with Adam Scott Neal

Yesterday I had the opportunity to talk with Adam Scott Neal about his new CD, Parallel Lives. Neal is one of the most visible young composers in the computer music scene. His work has been performed at many conferences and concerts, and he can be heard at the Toronto Electroacoustic Symposium [...]

Written By: evan on June 12, 2009 No Comment
Interview with Kevin Austin

Recently I caught up with Kevin Austin to talk about his involvement with Karlheinz Stockhausen’s Kontakte.

Stockhausen demonstrating the 4-channel technique used in Kontakte

He spoke at length about how the 4-channel version of the piece really alters a listener’s perception of the piece, and how Kontakte has presaged many other movements in [...]

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