Program notes:

Mutations (megamix) is an interactive work, exploring notions of the ‘DJ set’, ‘mashup’ and ‘remix’ through the integration of various ‘streams’ of piano-based material in live performance. Integrating three core components: live piano (notated and semi-improvised material), Disklavier/MIDI playback, and soundfile playback (with or without live electronics), Mutations (megamix) has the capacity to be [...]

First documentation for the multimedia installation to be presented in the VBrasil Festival (festivalvisualbrasil.com/​), next july in Barcelona. Sounds and graphics by PirarucuDuo, using Pure Data and it’s plugin Gem. [1]

PirarucuDuo is a brazilian artistic partnership between Fernando Visockis and Thiago Parizi, based in São Paulo and Barcelona. Has been working with soundart [...]

Over at CDM, there’s a great interview with the creators of Sword & Sorcery, an ambient music game for the iPad. The game combines minimalist gameplay with tightly integrated sound and music. It draws heavily on nostalgia, employing sounds and visuals that are very reminiscent of the original Legend of Zelda and Castlevania [...]

Performance by Caitlin Cassidy – Mezzo-Soprano and Decibel (cat hope – fl/a.fl, lindsay vickery cl/b.cl, tristen parr – vcl, stuart james – kbd and malcolm riddoch – MAX/MSP). photos lisa businovski. Live recording from the back of the hall at the Perth Institute for Contemporary Arts (remixed by Malcolm Riddoch).

realtime generated with Max/MSP/Jitter. point tracking prepared with syntheyes. sound track from “Invisible Landscape …” music: mergrim visuals: Masato Tsutsui. [1]

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documentation of the interactive part of the installation light space modulator at neue nationalgalerie in berlin.
a musical motion tracking system created with max/msp, jitter and max for live. [1]

True Value (paint fukette) – kinetic sound installation by David Ellis with composition by Roberto Carlos Lange. Presented by Joshua Liner Gallery, PULSE contemporary art fair, IMPULSE section, New York, March 2011.

Constellations was composed during January and February of 2011. The New Music Collective of The Ohio State University, who commissioned the work, asked me to compose a piece for computer processed voice, electric guitar and percussion. I decided to make as a focal point of this piece the vocalizing talents of David Tomasacci, who can [...]